Sample line: “This is your chance, man / Wish from your soul / When I’m out of the lamp, man / I’m out of control!” (And yes, comedian Demi Adejuyigbe totally called it two years ago with his impression of Smith’s end credits music.) It’s two pure minutes and 39 pure seconds of Smith rapping in character as the Genie. In the new version, the line is changed to “He’s got 10,000 servants and flunkies!” Great!īut the biggest change to “Friend Like Me” arrives at the end of the film, when the credits roll and it’s revealed that Smith and DJ Khaled made a hip-hop remix of the classic song. Lyrically, there are two notable changes in the original “Prince Ali,” there’s a line where the people rattle off the prince’s bona fides, at one point singing “He’s got slaves, he’s got servants and flunkies!” Which-problematic. Performance-wise, Smith picks to emphasize totally different inflection points than Williams, differentiating himself in subtle ways. In “Prince Ali,” the marquee number Genie uses to introduces Aladdin’s royal alter ego, the music has been amped up to have more of an Agrabah-meets-Mardi Gras big-band effect. Let’s start with some of the more minor, but noticeable changes. The changes range from subtle lyric twists to new songs, including a much-ballyhooed number for Jasmine written by Benj Pasek and Justin Paul. However-Disney has also allowed a handful of changes and new additions that will tweak the ear of any fan of the first Aladdin. In Disney’s new live-action iteration, directed by Guy Ritchie, that music stays largely the same, a testament to the soundtrack’s classic staying power. Aside from Robin Williams’s iconic performance as Genie, the most enduring aspect of Disney’s 1992 Aladdin is the film’s soundtrack, with unforgettable music composed by Alan Menken and lyrics by Howard Ashman and Tim Rice.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |